EMF Sci Fi Film/Kit: Difference between revisions
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'''Need to have a conversation at the outset regarding whether conversion to prores is sensible or if trascode only applies to ensuring all footage is at 1080p50. | '''Need to have a conversation at the outset regarding whether conversion to prores is sensible or if trascode only applies to ensuring all footage is at 1080p50. | ||
''' | ''' | ||
If editing in Premiere the following may need to be downloaded to enable reading of prores files: http://www.adobe.com/support/downloads/detail.jsp?ftpID=5744 | |||
== Setup specifics == | == Setup specifics == | ||
Revision as of 18:40, 27 August 2014
| Use these link to navigate between Sci Fi Film pages |
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| I need to make another page for the Sci Fi Film... |
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| To make it easier to navigate between pages about the film, I have made them into subpages. If you are starting a new page, please make sure its name starts with "EMF Sci Fi Film/" and start the page with {{Sci fi navbox}}.
For example, to start a page about Brian Blessed's role in the film, type "EMF Sci Fi Film/Brian Blessed Role" in the search bar, click to create the page, then write: "{{Sci fi navbox}} In the EMF Sci Fi Film, Brian Blessed is going to reprise his role as....." etc. |
Main filming kit
Camera: Lumix GH3
Lenses: 12-35mm, 20mm f1.7, 14-15mm, 14-140mm, 17.5mm f0.95, 50mm f1.4 full frame manual lens, polarising & ND filters for some lenses.
Sound: Marantz PMD661 field recorder, Mix Pre-D field mixer, sony radio mic, boom pole, seinheisser me66 shotgun mic, seinheisser me67 shotgun mic
Lights: A couple of LED light banks (battery powered) & some camping lanterns.
Sync & logging: Clapperboard
Format specifics
Recording format (camera): 1080p50 AVCHD 48khz sound (can also record 1080p25 if low light becomes an issue, but will need to transcode this up to 1080p50 for editing)
Recording format (sound): 24 bit PCM 48Khz
Ingest:
- Sync video to clean audio using Dual Eyes (I have a copy of this) A free trial of Plural Eyes will also do the job
- SD card clones uploaded to server (read-only) + copied to local HDD
- Synced & transcoded footage uploaded to server + copied to local HDD.
Need to have a conversation at the outset regarding whether conversion to prores is sensible or if trascode only applies to ensuring all footage is at 1080p50.
If editing in Premiere the following may need to be downloaded to enable reading of prores files: http://www.adobe.com/support/downloads/detail.jsp?ftpID=5744
Setup specifics
Sound Setup:
File:Simple-audio-setup.pdf describes (with many pictures) the sound setup for a single camera shoot with external clean sound being recorded on 2 separate channels, one channel to actor via radio lapel mic, 2nd channel to wild sound or other actors via shotgun mic on boom pole. Sync via clapperboard.